In Nepal, Circus Kathmandu helps empower victims of human trafficking. Their web site calls their circus "human rights in action." Circus Kathmandu powerfully demonstrates ethical, creative and
Our model creates real life, inspiring success
stories, helping young people to take control of their own lives and to
also become human rights advocates.
According to Sky Neal, a circus
performer in Britain and the co-founder and co-director of Circus
Kathmandu, "performers are also now powerful advocates against human
trafficking . . . They also do workshops for children and speak to
villagers about their own personal life and what they had gone through.
The idea is to create awareness among villagers on human trafficking
and why they should not sell their children."
For the full article from BBC on Circus Kathmandu, click here.
While working as a flight attendant for Eastern Airlines in the 70s and 80s, I made dozens of trips to India and Korea with Americans for International Aid to bring 'home' children adopted by Americans from abroad. Here are photos of Chung, the very first boy I took to his new parents on November 10, 1977. Chung's family sent these pictures to me in a thank you
letter several months after his arrival. I had shared with them that Chung was very outgoing and had talked non-stop during the flight (of course, I understood not a word). His parents wrote: "We thought perhaps you would like to see how 'motor mouth' has changed. Grown six inches and gained five pounds. Still active and still conning everyone he can."
In his parents arms as I catch a flight home.
They were in the process of adopting again, this time from the US.
While in Korea I often went for overnight visits to Father Keane's St. Vincent's Home for Amerasian Children in Byu Pyung. I slept on the floor alongside the children. (See Amerasians: "Dust of Life"). I watched Prince Charles and Lady Diana's wedding back in 1981on a tiny black-and-white television with several of the younger kids sitting on my lap. I thought, rightly so, "I'll certainly remember this moment in years to come."
The term 'Amerasian' refers to children born of Asian mothers and (mostly) US soldiers stationed Korea, Vietnam, the Philippines, and other Southeast Asian nations. They face discrimination by other nationals, often finding it difficult to find legitimate work. Why? They are considered American, not Korean or Vietnamese, and are sometimes denied citizenship rights. Outcast, abadoned, most never know their fathers and find life difficult.
A photo I took of Natasha in 1978 at Father Keane's
While viewing a TEDtalk recently I saw a link to a story told by photographer Rick Smolan of a little Amerasian girl in South Korea. Rick had met the girl, Natasha, while on assignment to photographh Amerasians in 1978 for TIME Magazine. Though only 28 and unmarried, he helped find her a home in Atlanta when her grandmother, Natasha's sole caretaker, died. I immediately recognized Natasha as a little girl as I had met at Father Keane's during one of my many visits. Natasha's story as told by Rick is, to use a cliche, 'heartwarming.'
Lunch time at Father Keane's
Over the years I probably escorted over 100 children from Asia and South America to their new homes in the US. I would spend anywhere between 20 hours and two days with the children depending on flights and connections. I rarely know what happened after I handed the children over to their new families in Buffalo, Minneapolis, or Portland and hopped the next flight back to my home base. I did receive an occasional letter from a grateful parent within months of our arrival, but I wondered how they adjusted, what was school like, and what did they become?
While I was not in any way part of Natasha's story, it is wonderful to see what a beautiful and self-assured woman she has become and to hope that all of the children I escorted found happiness, security, comfort, and worth, in their new lives in America.
According to Lumos, an organization helping children without caring families, around the world 8 million children live in institutions and of those, 90% are not orphans. For myriad reasons, including poor parenting, economic incentives, disabilities, children end up separated from their kin by choice or chance.
The institution pictured here is in Bulgaria and houses about 70 children ages 7 to 17. The playground is is comprised of blacktop and dirt, the windows have fencing, and the furniture is in bad condition. Those in charge do their best with what they have, but large facilities like this one cannot give the one-on-one attention that young children need to feel secure and loved.
The view of the 'garden' from a bedroom window.
This summer we are again traveling to Vratsa, Bulgaria to 'paint and play' at this social home - read 'orphanage.' We are brightening up their sleeping quarters with new paint and playing social and educational games with the children. We will also do art and writing projects. The children love physical touch, holding hands, plaiting our hair and holding hands. Many are talented acrobats and dancers.
Most of the children in this home are Roma, many have disabilities. In general, most Eastern and Southern European countries have made tremendous improvements in these institutions since 1989, but they are still 'institutions,' not homes, and the children living in them are not fully integrated into the community. They are instead stigmatized and sometimes they internalize a sense of rejection. One teenager on the cusp of leaving said, "I am Roma, Roma is bad."
Those of us from America often lack knowledge of and experience with the racially contentious milieu in which Roma live. However, 'Roma integration' is a priority for members of the European Union. In addition to the EU monies, integration programs receive assistance from private donors and NGOs in the US, Holland and the UK among others. Efforts have mixed success, just as does with integration of minorities in any country, be it the US or Iraq.
A mural by New York artist Steve Powers, painted across E. Eager Street
rowhouses that will soon be torn down, towers over people walking by and taking
photographs. Powers Tweeted June 3 "love letter"
Like salt in your food, graffiti adds flavor to urban landscapes. Graffiti art can be subversive, poetic, cultural, decorative, destructive, temporary or permanent. Other blogs on this site have addressed various aspects of graffiti.